Poem of the Day: ‘A Valediction: Forbidding Mourning’

In the current cultural climate, the act of revisiting the poetic tradition with sympathy seems almost revolutionary.

National Portrait Gallery via Wikimedia Commons
Isaac Donne's portrait of John Donne, detail, late 17th century copy of a 1616 work. National Portrait Gallery via Wikimedia Commons

If we do not end exactly where we begin, still everything does come to a conclusion, and sometimes that’s near the place it started. All journeys need an ending. All circles long to close.

Today we publish the 500th Poem of the Day, the New York Sun feature column begun in 2022. And that 500th entry seems to mark a fitting moment to bring the project to an end. The poet Sally Thomas and I opened with the curiosity of Benjamin Franklin’s “February hath xxviii days” on February 28, 2002, and we close today, January 25, 2024, with John Donne’s 1612 “Valediction: Forbidding Mourning.”

Along the way, we published two weeks of war poetry, to commemorate the two Veterans Days that came during that two-year stretch, along with two weeks of Christmas poems. We did a fun week-long exploration of cowboy poetry, a week of Greek and Latin classical meters in English, and a week of hymns. A week of William Butler Yeats, a week of the contemporary poet Rhina P. Espaillat, and even a week of graduation poetry.

But mostly what we did, day in and day out, was present and comment on individual poems: reprinting any older poem that caught our eye or seemed fitting for the day (along with some contemporary poetry in traditional forms). In, say, 1920 or 1960, this daily looking back at the tradition of English poetry would have been an act of critical abdication or even cowardice, just reaching into the standard anthologies to grab easy and well-known verses. In the current cultural climate, however, the act of revisiting the tradition with sympathy seemed something almost revolutionary.

That’s because the present-day literary and artistic climate suffers from a terrible presentism: an ignorance of the past that congratulates itself for its ignorance — refusing, in the name of moral judgment, to learn much about what went before. The result has been a decades-long forgetting of the great or even just memorable lines of poetry that once formed a considerable portion of our shared cultural knowledge.

And it was to combat this that we gradually developed what became the standard form for The New York Sun’s Poem of the Day columns: four to eight paragraphs of introduction, locating the day’s selected poem in its historical and biographical setting while pointing out the forms and meters that made the poem interesting. With the 500th entry today, the Sun and its poetry editors have decided to wrap up the column, leaving open the possibility of reviving in some other form the past-centric project, seeking to demonstrate the power of formal verse.

So, for a final entry, today’s Poem of the Day is from John Donne. An exhortation about a lover’s impending departure, “A Valediction: Forbidding Mourning” consists of nine quatrains of tetrameter lines, rhymed abab.

The poem contains wonderful examples of the metaphysical mode of constructing metaphors: The poet’s leaving for a trip is like dying. The distance between the lovers will be akin to the movements of celestial bodies in astronomy: “Our two souls therefore, which are one, / Though I must go, endure not yet / A breach, but an expansion” of the shared universe. The lovers are like the two legs of a drawing or measuring compass, with the loving traveler like the moving foot of the compass and the beloved homebody like the fixed leg: “Thy firmness makes my circle just, / And makes me end where I begun.”

A Valediction: Forbidding Mourning 
by John Donne

As virtuous men pass mildly away, 
   And whisper to their souls to go, 
Whilst some of their sad friends do say 
   The breath goes now, and some say, No: 

So let us melt, and make no noise, 
   No tear-floods, nor sigh-tempests move; 
’Twere profanation of our joys 
   To tell the laity our love. 

Moving of th’ earth brings harms and fears, 
   Men reckon what it did, and meant; 
But trepidation of the spheres, 
   Though greater far, is innocent. 

Dull sublunary lovers’ love 
   (Whose soul is sense) cannot admit 
Absence, because it doth remove 
   Those things which elemented it. 

But we by a love so much refined, 
   That our selves know not what it is, 
Inter-assured of the mind, 
   Care less, eyes, lips, and hands to miss. 

Our two souls therefore, which are one, 
   Though I must go, endure not yet 
A breach, but an expansion, 
   Like gold to airy thinness beat. 

If they be two, they are two so 
   As stiff twin compasses are two; 
Thy soul, the fixed foot, makes no show 
   To move, but doth, if the other do. 

And though it in the center sit, 
   Yet when the other far doth roam, 
It leans and hearkens after it, 
   And grows erect, as that comes home. 

Such wilt thou be to me, who must, 
   Like th’ other foot, obliquely run; 
Thy firmness makes my circle just, 
   And makes me end where I begun.

___________________________________________
With “Poem of the Day,” The New York Sun offers a daily portion of verse selected by Joseph Bottum with the help of the North Carolina poet Sally Thomas, the Sun’s associate poetry editor. Tied to the day, or the season, or just individual taste, the poems are drawn from the deep traditions of English verse: the great work of the past and the living poets who keep those traditions alive. The goal is always to show that poetry can still serve as a delight to the ear, an instruction to the mind, and a tonic for the soul.


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